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Milab VIP-50

Classic Vocal Mic

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Product omschrijving

Milab VIP-50

LARGE DIAPHRAGM CONDENSER MICROPHONE

Probably the most recognizable Milab model ever produced. A classic vocal microphone found in recording studios all over the world.

Features

  • Five selectable polar patterns
  • 10/20 dB attenuation pads
  • 200/500 Hz high pass filters
  • Milab 2700 rectangular capsule
  • Gold plated XLR connector
  • Nextel® coating (from 2012)
  • Customized SKB 3i Case

“I can tell you there’s only one mic that’s come out in the last decade which is truly remarkable, and that’s the Milab VIP-50. […] I used it on Ray Charles on “I’ll Be Good to You” in “Back on The Block”. He came into the studio right after the tracking and said: What mic is that? I have to have one!” – Five-time Grammy Award winner Bruce Swedien

“I cannot remember being so impressed with a microphone.” – Richard Perry, producer (Ray Charles, Rod Stewart, Barbara Streisand)

The VIP-50 is nothing less than a true classic. Built around the Milab 2700 rectangular capsule and developed in the mid 80’s, it has since become the go-to microphone for studio vocals – and many other applications – in studios all over the world. Over the years the VIP-50 has been the chosen vocal microphone on a long list of albums by artists like Michael Jackson, Drake, Chaka Khan, The Manhattan Transfer, Jeff Buckley, Ray Charles, Tori Amos, Gino Vannelli and many others.

The VIP-50 offers five different polar patterns and a selection of filters and pre-attenuation pads. It is delivered in an SKB 3i waterproof case with a Rycote InVision USM shockmount.

“Milab managed to get the warmth of an old ribbon mic as well as the pristine top end of a new generation transistor mic into the one microphone. This is a great microphone!” – Gary Lux, engineer (Sting, Manhattan Transfer, Norah Jones, David Bowie)

 

 


Specifications

Product name

Milab VIP-50

Type

Condenser

Frequency response

20 to 20,000 Hz

Polar pattern

Cardioid, Wide Cardioid, Hypercardioid, Omni, Bidirectional

Filters

200 Hz & 500 Hz (switchable)

Pre-attenuation pad

-10 dB & -20 dB (switchable)

Max. SPL (1 % THD at 1 kHz)

118 dB

Max SPL with 10 dB pad

128 dB

Max SPL with 20 dB pad

138 dB

Sensitivity at 1 kHz

14 mV/Pa (± 1 dB)

A-weighted noise level (IEC 179-A)

18 dB (typical); 19 dB (max)

Power supply

48 ± 4 V Phantom (DIN/IEC)

Current consumption

3.5 mA

Output impedance

<200 Ω

Minimum load impedance

1 kΩ

Connection

3-pin XLR

Length

170 mm

Width

47 mm

Depth

50 mm

Net weight

400 g

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